Oh gear, what a tempting mistress indeed.
At times, I have been guilty of the utmost American Pickers Style hoarding. At times I have overdone it, other times I have made the score of a lifetime. Instruments are mysterious, it’s like having a tool to create art, which is also art itself. You need more than one type of screwdriver to build a fancy Armour or accurate reproduction of the Batmobile…so shouldn’t you have multiple guitars/effects pedals/amps/drums/cymbals/synths/peruvian pan flutes? You can see how it can get out of control.
Recently I have decide it’s time to purge the collection. The first serious move was letting go of my 1969 Fender Twin which I had owned for 14 years…which opened the floodgates. It continued with a recently acquired Microkorg, then a few effects pedals not getting proper use, and some old and broken cymbals. Several craigslist transactions later, it was a 6 string banjo, a small tube amp, and a Line6 Pod. It is now continuing with a Budda Bud Wah, and an old 1920’s Ludwig/Slingerland Frankenstein Snare Drum. With each piece of gear that goes, it feels like a weight has been lifted. Strange words coming from an obsessive collector, but it’s true. I am now constantly cataloging my collection, seeing what can go. Eastwood Electric 12 String? Probably. A few random cymbals? Definitely. My first ever drum kit…the silver sparkle Spaun kit I saved for months to acquire? Yep, it hasn’t seen use in literally years, it’s time to go.
I don’t know what triggered i, but it feels unstoppable. Maybe it’s because my life now feels filled with things other than instruments? Maybe its a sudden streak of minimalism? Maybe it’s because I feel a sudden need to focus on the act of playing… rather than acquiring instruments? Perhaps above all, being a city dweller for the past 7 years might have finally gotten the best of me. Space is at a premium wherever you go, and transportation is net to impossible when carrying more than a backpack. It’s probably all part of it.
So let’s all take this time to inventory our personal collections, and figure out some stuff we can strip down. Is that 4th distortion pedal really going to make you a better player? That delay that you use for 3 measures of one song, is it worth the extra space on the floor in front of you? Who are you, The Edge? Why don’t you just change your name to “The Border” and fight locals in Jersey City while building a massive mansion on the cliffs of the Palisades. Is the 2nd floor tom REALLY that necessary? Who are you, Terry Bozzio? You probably didn’t play with Frank Zappa.
Think about it.